Download our mobile app now. Roland White - Guitar, Vocals Benny Williams - Fiddle Vic Jordan - Banjo, Vocals James Monroe - Bass, Vocals Don Reno - Banjo, Vocals On (1) Ralph Stanley - Banjo On (2) Sonny Osborne - Banjo, Vocals On (3) Bobby Osborne - Mandolin, Vocals On (4) Bill Harrell - Guitar, Vocals On (5) George Shuffler - Bass, Vocals On (6) Notes: Guests On Set 2 May Play On Additional Tracks Beyond Those Mentioned; I Have Listed … Listen to your favorite songs from Orange Blossom Special by Bill Monroe And His Bluegrass Boys Now. Song Moods. A 1989 live album celebrated his 50th year on the Grand Ole Opry. He invented the style, invented the name, and for the great majority of the 20th century, embodied the art form. Most importantly, Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942. Even after the folk revival faded in the mid-1960s, it left a loyal audience for bluegrass music. This experience inspired one of Monroe's most famous compositions, "Uncle Pen," recorded in 1950, and the 1972 album Bill Monroe's Uncle Pen. Style: … The 28 songs recorded by this version of the Blue Grass Boys for Columbia Records in 1946 and 1947 soon became classics of the genre, including "Toy Heart", "Blue Grass Breakdown", "Molly and Tenbrooks", "Wicked Path of Sin", "My Rose of Old Kentucky", "Little Cabin Home on the Hill", and Monroe's most famous song "Blue Moon of Kentucky". Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Bill Monroe (1911-1996) was five-going-on-six years old when the Homeplace was built in 1917, believed built to celebrate the twenty-fifth wedding anniversary of his parents, James Buchanan, aka J.B., and Malissa Vandiver Monroe. On January 16, 1953 Monroe was critically injured in a two-car wreck. I'm Sitting on Top of the World. By and by his brothers and sisters moved away, leaving Monroe to bounce between uncles and aunts until finally settling in with his disabled uncle Pendleton Vandiver, whom he often accompanied when Vandiver played the fiddle at dances. He always considered himself the father and caretaker of bluegrass. Bill often spoke of wanting to bring “ancient tones” into his sparklingly innovative music. "[2] Also significant in Monroe's musical life was Arnold Shultz, an influential fiddler and guitarist who introduced Monroe to the blues.[3][4]. After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Monroe's last performance occurred on March 15, 1996. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" Flatt and Scruggs joined a highly accomplished group that included fiddler Howdy Forrester and bassist Joe Forrester and would soon include fiddler Chubby Wise and bassist Howard Watts, who often performed under the name "Cedric Rainwater". His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. 1. In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Bluegrass festivals became common, with fans often traveling long distances to see a number of different acts over several days of performances. These included fiddle and bagpipe sounds imported from the British Isles, African-American blues and holiness gospel, American Great Awakening … ... (a 14-year-old debutant on this album) and the wonderfully insightful Laurie Lewis. William Smith Monroe (/ m ə n ˈ r oʊ /; September 13, 1911 – September 9, 1996) was an American mandolinist, singer, and songwriter, who created the bluegrass music genre. Monroe was a recipient of a 1982 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts. Four Walls 28. The Great Bill Monroe: Harmony: HL 7290: 1962: My All Time Country Favorites: Decca: DL … Previously, Scruggs had performed something similar, called "Bluegrass Breakdown" with Bill Monroe, but Monroe had denied him songwriting credit for it. It took him almost four months to recover and resume touring. In retrospect, this lineup of the Blue Grass Boys has been dubbed the "Original Bluegrass Band", as the music finally included all the elements that characterize bluegrass music, including breakneck tempos, sophisticated vocal harmony arrangements, and impressive instrumental proficiency demonstrated in solos or "breaks" on the mandolin, banjo, and fiddle. bill monroe, Bluegrass Breakdown, The Bluegrass Boys. Earnest (9) Plaintive (8) Rustic (8) Amiable/Good-Natured (7) … He was so influential: I think he's probably the only musician that had a whole style of music named after his band. Download our mobile app now. ... Bill Monroe & His Bluegrass Boys* ‎– Blue Grass Breakdown Label: Javelin ‎– PRACD 4003 Format: CD, Compilation Country: UK Released: 1997 Genre: Folk, World, & Country. Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. View credits, reviews, tracks and shop for the 1997 CD release of Blue Grass Breakdown on Discogs. Beginning with his Blue Grass Boys in the '40s, Monroe defined a hard-edged style of country that emphasized instrumental virtuosity, close vocal harmonies, and a fast, driving tempo. 1 1993 Live Duet Recordings 1963-1980: Off the Record, Vol. Monroe also kept a hectic touring schedule. Rosenberg, Neil V., and Charles K. Wolfe (2007). Because of this, he is often called the "Father of Bluegrass".[1]. Song information for Ashland Breakdown - Bill Monroe on AllMusic AllMusic. Monroe tended to recruit promising young musicians who served an apprenticeship with him before becoming accomplished artists in their own right. [14] That year's fellowships were the first bestowed by the NEA. He stated, "I think Bill Monroe's importance to American music is as important as someone like Robert Johnson was to blues, or Louis Armstrong. Bluegrass Breakdown Bill Monroe Buy this song. Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks.[6]. Unpacking Bill Monroe’s bluegrass legacy through this 1966 compilation of Decca recordings is no small task – so Patrick and Emma have enlisted some high-profile help, including the legendary Sonny Osborne (a 14-year-old debutant on this album) and the wonderfully insightful Laurie Lewis. (Little Cabin Home on the Hill - Bill Monroe and the Bluegrass Boys) Bill Monroe (September 13, 1911 – September 9, 1996) was an American mandolinist who helped create the style of music known as bluegrass. Jimmie Rodgers, Bob Wills, Hank Williams Sr., and Johnny Cash are the only other performers honored in all three. Download our mobile app now. Remembered as the “Father of Bluegrass Music,” Bill Monroe is better understood as a master chef or chemist, blending earlier musical elements into an exciting new form. When he moved to Atlanta he formed another band, the Blue Grass Boys. Bill Monroe is the father of bluegrass. Monroe, who had suffered injuries to his back, left arm and nose, was rushed to General Hospital in Nashville. In the meantime Charlie Cline and Jimmy Martin kept the band together.[9]. Bill had wanted William Hardin to become one of the original members of his Blue Grass Boys, however he had to decline. Because of this, he is often called the "Father of Bluegrass".The genre takes its name from his band, the Blue Grass Boys, who named their group for the bluegrass of Monroe's home state of Kentucky.Monroe's performing career … 2009 Preview SONG TIME ... More by Bill Monroe. that first publicly referred to Monroe as the "father" of bluegrass. Monroe's compositions during his later period were largely instrumentals, including "Jerusalem Ridge", "Old Dangerfield" (originally spelled Daingerfield after the town in East Texas),[12] and "My Last Days on Earth"; he settled into a new role as a musical patriarch who continued to influence younger generations of musicians. Song information for Ashland Breakdown - Bill Monroe on AllMusic. IIIrd Tyme Out, Russell Moore. Scruggs played the banjo with a distinctive three-finger picking style that immediately caused a sensation among Opry audiences. Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. For other people named Bill Monroe, see, Monroe (left) and his brother Charlie in 1936, "Original Bluegrass Band" and Monroe's heyday as a star, Rosenberg, Neil V., Wolfe, Charles K. (1989) "Bluegrass, Bill Monroe", Bear Family Records Publication, "Stoney Lonesome Fiddle Book", by Stacy Phillips, Learn how and when to remove this template message, International Bluegrass Music Hall of Honor, "Bill Monroe: Celebrating The Father Of Bluegrass At 100", https://gardenandgun.com/articles/jerry-garcias-bluegrass-roots/, "Kentucky Troubadour: A biography of Bill Monroe and the bluegrass music he invented", "Brown County Convention & Visitors Bureau Web site, 2018.08.28", "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire", Bill Monroe: Celebrating The Father Of Bluegrass At 100, International Bluegrass Music Hall of Honor profile, Nashville Songwriters Hall of Fame profile, Recording of "Wayfaring Stranger" from the 1993 Florida Folk Festival (available for public use from the State Archives of Florida), Bill Monroe: Father of Bluegrass Music (documentary video), "Bill Monroe in Indiana: From Lake to Brown County, Oil to Bluegrass,", Discography of American Historical Recordings, https://en.wikipedia.org/w/index.php?title=Bill_Monroe&oldid=999660021, Grammy Lifetime Achievement Award winners, United States National Medal of Arts recipients, Articles needing additional references from February 2020, All articles needing additional references, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. Some of Monroe's band members who went on to greater prominence include singer/guitarists Clyde Moody, Lester Flatt, Jack Cook, Mac Wiseman, Jimmy Martin, Carter Stanley, Del McCoury, Peter Rowan, Roland White, Roland Dunn and Doug Green; banjo players Earl Scruggs, Buck Trent, Don Reno, Stringbean, Sonny Osborne, and Bill Keith; and fiddlers Tommy Magness, Chubby Wise, Vassar Clements, Byron Berline, Kenny Baker, Bobby Hicks, Gordon Terry, Randall Franks and Glen Duncan. More than 150 musicians played in the Blue Grass Boys over the nearly 60 years of Monroe's performing career. Web Music Player. Several gospel-themed numbers are credited to the "Blue Grass Quartet", which featured four-part vocal arrangements accompanied solely by mandolin and guitar – Monroe's usual practice when performing "sacred" songs. While the fast tempos and instrumental virtuosity characteristic of bluegrass music are apparent even on these early tracks, Monroe was still experimenting with the sound of his group. In 2003, CMT had Bill Monroe ranked No. Monroe's mother died when he was ten, and his father died six years later. Bill Monroe & The Bluegrass Boys - Bluegrass Breakdown - YouTube and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938.[5]. ", "Goodbye Old Pal" / "Blue Moon of Kentucky", "Blue Grass Special" / "How Will I Explain About You", "Shine Hallelujah Shine" / "I'm Travelin' On and On", "My Rose of Old Kentucky" / "Sweetheart You Done Me Wrong", "I Hear A Sweet Voice Calling" / "Little Cabin Home On the Hill", "That Home Above" / "Little Community Church", "Summertime Is Past and Gone" / "Wicked Path of Sin", "It's Mighty Dark To Travel" / "When You Are Lonely", "The Old Cross Road" / "Remember the Cross", "Heavy Traffic Ahead" / "Along About Daybreak", "I'm Going Back To Old Kentucky" / "Molly and Tenbrooks", "The Girl In the Blue Velvet Band" / "Bluegrass Stomp", "Can't You Hear Me Calling" / "Travelin' This Lonesome Road", "I'm Blue, I'm Lonesome" / "Boat of Love", "On the Old Kentucky Shore" / "Poison Love", "Lord Protect My Soul" / "River of Death", "Rotation Blues" / "Lonesome Truck Driver's Blues", "I'll Meet You In Church Sunday Morning" / "Get Down On Your Knees and Pray", "Highway of Sorrow" / "Sugar Coated Love", "Christmas Time's A-Coming" / "The First Whippoorwill", "I'm On My Way To the Old Home" / "The First Whippoorwill", "When the Cactus Is In Bloom" / "Sailor's Plea", "Pike County Breakdown" / "A Mighty Pretty Waltz", "Footprints In the Snow" / "In the Pines", "You're Drifting Away" / "Walking In Jerusalem", "Memories of Mother and Dad" / "The Little Girl and the Dreadful Snake", "I Hope You Have Learned" / "Wishing Waltz", "Happy On My Way" / "He Will Set Your Fields On Fire", "Wait A Little Longer, Please Jesus" / "Let the Light Shine Down On Me", "Put My Little Shoes Away" / "Wheel Hoss", "On and On" / "I Believed In You Darling", "You'll Find Her Name Written There" / "Sitting Alone In the Moonlight", "Molly and Tenbrooks" / "I'm Sitting On the Top of the World", "Tomorrow I'll Be Gone" / "Dark As the Night, Blue As the Day", "Lonesome Wind Blues" / "Come Go With Me", "Precious Memories" / "Jesus Hold My Hand", "Blue Ridge Mountain Blues" / "How Will I Explain About You", "There Was Nothing We Could Do" / "Big Sandy River", "Shenandoah Breakdown" / "Mary At the Home Place", "I Live In the Past" / "There's An Old, Old House", "When My Blue Moon Turns To Gold Again" / "Pretty Fair Maiden In the Garden", "Train 45" / "Is the Blue Moon Still Shining", "I Haven't Seen Mary In Years" / "Crossing the Cumberlands", "Bonny" / "Sweet Mary and the MIles In Between", "Walk Softly On My Heart" / "McKinley's March", "My Old Kentucky and You" / "Lonesome Moonlight Waltz", "Down Yonder" / "Swing Low, Sweet Chariot", "My Sweet Blue Eyed Darling" / "Monroe's Blues", This page was last edited on 21 January 2020, at 15:08. 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